resunsaysdope:

MADLIB ESPRESSO BLEND 
Now roasted & shipping weekly!
Via. Stones Throw

We are now offering fresh Madlib Espresso Blend created weekly.  To ensure freshest coffee possible, orders will be tallied every  Wednesday,  coffee roasted on Thursday, and will ship on  Friday.    This espresso comes whole-bean and is freshly roasted at  Intelligentsia’s East L.A. facilities. It will remain at peak freshness  for about 4 weeks and should be stored in an airtight container in a  dark, cool place. This espresso can be ground finely and used in any  espresso machine or can be ground coarse and brewed as drip coffee in  any home coffee maker.

More about Intelligentsia

One thing that has been of growing interest to me in relationship to music is the way in which artists can look a bit outside the box to make that cash. The idea of licensing music for TV, video games, movies and products is quickly becoming one of the only ways for an artist to truly earn a living and that paired with a heavy tour schedule is the apparent answer to the slow and eventual death of dollars for albums. This dilemma is rearranging the music world so much so that labels are forcing artists into 360 deals to maintain profit on artists through all of their endeavors, and not just back end on the music. I don’t know what kind of deal Madlib has setup with Stonesthrow but its safe to say that both he and his label are some of the most inventive when it comes to finding new ways to trade cash for a physical project. When you can’t sell a CD anymore what do you do next? For Madlib, it became to create a niche product that likely has high markup and will be considered a must have for his fan base. Followers of most Stonesthrow artists seem to be the collector type. Those that care as much about buying the vinyl and the t-shirt as they do about downloading. I think they hit a home run here, and although most artists do not have the type of fan base to make this happen at a global level, there is, I believe, I take away here for all artists: Market and brand yourself beyond the normal channels. You never know what just might stick and become a buzzing product, and a buzzing product or idea could be that gateway to getting your music in more ears, and in turn, more dollars into your pocket. As an example of past idea that worked, look only as far as another Stonesthrow artists brilliance in Mayer Hawthorne. The success of his red heart shaped vinyl catapulted him from a DJ doing a two-track side project to a full fledged artists touring the nation and being the it artist for a moment in early 2010. His heart shaped USB drive might not have had the same response, but these are guys taking chances. It’s important to take those chances and continue to evolve the system before it takes you over.

resunsaysdope:

MADLIB ESPRESSO BLEND

Now roasted & shipping weekly!

Via. Stones Throw

We are now offering fresh Madlib Espresso Blend created weekly. To ensure freshest coffee possible, orders will be tallied every Wednesday,  coffee roasted on Thursday, and will ship on Friday. 

This espresso comes whole-bean and is freshly roasted at Intelligentsia’s East L.A. facilities. It will remain at peak freshness for about 4 weeks and should be stored in an airtight container in a dark, cool place. This espresso can be ground finely and used in any espresso machine or can be ground coarse and brewed as drip coffee in any home coffee maker.

More about Intelligentsia

One thing that has been of growing interest to me in relationship to music is the way in which artists can look a bit outside the box to make that cash. The idea of licensing music for TV, video games, movies and products is quickly becoming one of the only ways for an artist to truly earn a living and that paired with a heavy tour schedule is the apparent answer to the slow and eventual death of dollars for albums. This dilemma is rearranging the music world so much so that labels are forcing artists into 360 deals to maintain profit on artists through all of their endeavors, and not just back end on the music.

I don’t know what kind of deal Madlib has setup with Stonesthrow but its safe to say that both he and his label are some of the most inventive when it comes to finding new ways to trade cash for a physical project. When you can’t sell a CD anymore what do you do next? For Madlib, it became to create a niche product that likely has high markup and will be considered a must have for his fan base. Followers of most Stonesthrow artists seem to be the collector type. Those that care as much about buying the vinyl and the t-shirt as they do about downloading. I think they hit a home run here, and although most artists do not have the type of fan base to make this happen at a global level, there is, I believe, I take away here for all artists: Market and brand yourself beyond the normal channels. You never know what just might stick and become a buzzing product, and a buzzing product or idea could be that gateway to getting your music in more ears, and in turn, more dollars into your pocket. As an example of past idea that worked, look only as far as another Stonesthrow artists brilliance in Mayer Hawthorne. The success of his red heart shaped vinyl catapulted him from a DJ doing a two-track side project to a full fledged artists touring the nation and being the it artist for a moment in early 2010. His heart shaped USB drive might not have had the same response, but these are guys taking chances. It’s important to take those chances and continue to evolve the system before it takes you over.

The Just Blaze Collection

brokedownpalace:

After learning that Baseline Studios, the birthplace of some of my favorite music from the past decade, was closing up shop, I pulled a 2006 interview I conducted for VIBE with Justin Smith AKA Just Blaze, the studio’s longtime steward and creative heartbeat, from my archives. We sat together in Room A of the studio and talked for roughly three hours about the nuts and bolts of his production process, the making of The Blueprint, the long delay and problems of Saigon’s still-unreleased album, and the frustration and disappointment over the dissolution of Roc-A-Fella. An abridged version is running right now on Sound of the City, which you can read here; I may post the entire 15,000 word beast later this week. (It’s kinda boring!)

As a companion I’ve compiled a series of playlists denoting different phases in Just’s career. They’re not sequenced or rebranded, just collected. This isn’t quite definitive, I’d say I’m 90-95% there. If something is missing, and you’ve got it, recommend or send along: sean[DOT]fennessey[AT]gmail[DOT]com. And enjoy.

The Early Days

The Hova

The Roc-A-Fella (Part 1, Part 2)

The New York Hardcore (Part 1, Part 2)

The R&B

The South, West, and Midwest

The Underground

The Remixes

Additionally, if you’re not interested in 200+ Just Blaze productions, I’ve pulled together a double-disc compilation of my favorites—there are just a few esoteric choices here. I’m not a believer in fooling around with taste when it comes to stuff like Jay’s “P.S.A.” and Dipset’s “I Really Mean It.” So no games, they’re here. Tracklist below.

The Personal Favorites

State Property [Beanie Sigel & Freeway]: “Roc The Mic”

Jay-Z: “Oh My God”

Jay-Z: “Dear Summer”

Jay Electronica: “Exhibit C”

Cam’Ron feat. Juelz Santana: “Oh Boy”

Joe Budden: “Pump It Up”

Fat Joe: “Safe 2 Say (The Incredible)”

Usher feat. Jadakiss: “Throwback”

Kanye West feat. Lupe Fiasco: “Touch the Sky”

Freeway feat. Peedi Crakk: “Flipside”

Young Gunz: “Friday Night”

Beanie Sigel: “Get Down”

T.I.: “I’m Talkin’ To You”

Memphis Bleek feat. Freeway: “Just Blaze, Bleek and Free”

Jay-Z feat. Beanie Sigel: “Streets is Talking”

Fabolous feat. Swizz Beatz: “Return of the Hustle”

Jay-Z: “U Don’t Know”

The Game: “Church For Thugs”

Beanie Sigel feat. Grand Puba and Sadat X: “Bread & Butter”

Jay-Z: “Ignorant Shit”

Jay-Z: “Public Service Announcement (Interlude)”

Trina feat. Fabolous: “How We Do”

Lenny Kravitz feat. Jay-Z: “Storm (Remix)”

Shyne: “Diamonds and Mack 10s”

Jay-Z: “Soon You’ll Understand”

Jay-Z: “Allure (Remix)”

Jadakiss feat. Cross, Drag-On, Eve, Infa-Red, and The L.O.X.: “It’s Time I See You”

Memphis Bleek feat. Geda K: “M.A.R.C.Y.”

The Diplomats (Cam’Ron and Jim Jones): “I Really Mean It”

Jay-Z: “Meet The Parents”

Erick Sermon feat. Redman: “React”

If you want to build up your ipod with some classic Roc-a-fella dynasty material, this is the place to start. Almost every song in “The Personal Favorites” collection brings back some memories. Thanks Sean.

Looks like these links were all removed at the request of Just Blaze.

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24 plays

Track of the Day - Lil Wayne “Reciept”

It’s kinda hard saying this shit to your face,

so I do it over snares and bass,

music take me away

This is the song that made me a Wayne fan. I was late to check out The Carter II, but I remember buying a used copy about 6 months after it came out at Newbury Comics on Cape Cod.

This was a bit before the buzz around Wayne hit true pandemonium with the Drought 3 and Carter 3 bootlegs from The Empire, that made the anticipation for his studio album so big. I remember friends and fellow hip-hop fans making fun of me rocking out to an artist that was down with Cash Money. Eventually those friends came full circle as the buzz grew with songs like “Outstanding” and “I feel like dying” showing up in best of lists for 2007.

Weezy has a big tour and a new rock record set for 2009, but its the Carter II and ‘07 Lil Wayne that showed this young talent in his prime. Lets hope it wasn’t a peak.

[Flash 9 is required to listen to audio.]
41 plays

Track of the Day - Tiron ft. Ayomari “Sydney”

Off of the free mixtape, Ketchup (download here). I’ve been a fan of this artist since he first came across on 2DopeBoyz over a year ago. The mixtape features a number of standout tracks, another personal favorite is the joint “Quitter.”

This song has a fun loving melody and hook to what is sort of an all too familiar and depressing topic of ‘the friend zone.’ Its a topic that has been covered by many artists and also by another favorite MC, 88-Keys. How is it that these songs always show up on random at the right time?

Nontheless, a great song, and if you can relate, bump it.

[Flash 9 is required to listen to audio.]
21 plays

Track of the Day - Mos Def “Say You Will” (live cover)

Work today was filled with too much work and the itunes on shuffle. No time to download anything new, but in the process I remembered a few favorites. For todays track I’ve taken a Mos Def live recording from The Blue Note in New York from January 2009, and one I added to a Play Count list earlier this year.

The live performance brings something special to the song, feeding in more emotion than the polished studio/auto-tune version from Kanye. Mos adds in verses from a track “U R The one” and with an extended instrumental mix, this track lasts for a melodic 12 minutes.

After listening to this it reminded me of some other Mos Def live track I had and after sifting through my itunes I decided to take 7 rare and/or live Mos tracks and share them here. In todays maxi-track of the day:

01. “Say You Will” (live cover)

.02. “Jay Electronica” (live tribute)
Recorded from a live show at Carnegie Hall in June of 2008. I had a chance to see Jay open for the Mighty Mos at Nokia Theatre back in March of ‘08, and since then, I’ve heard very little from Jay. I can’t believe that show was over a year ago.

.03 “Auditorium” (live)
Easily my favorite track off the new Ecstatic album. This is a live Slick Rick-less version recorded at Kennedy Center in Washinton D.C. back in September of 08.

.04 Kanye West - “Good Night” (Plain Pat Remix)

.05 J Dilla - “Saturday Night” (remix ft. Brand New Heavies & Mos Def)
Off of the Jay Dee - The Delicious Vinyl Years

.06 Omer Saar - Travelin’ man (ft. Mos Def & Money Green)

.07. Mos Def freestyle
From an old rip posted up by Cipha Sounds on his blog back in 08.

Download all tracks

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33 plays

Track of the Day - Blu & Exile “Dancing in the Rain”

Don’t nobody want to dance slow in the rain, just more your ass

If you’re heading out tonight. Rock out with some Blu.

See previous TOD:

Ghostface “Holla”

Play count 7




Yeah…so a week ago I promised to get back to old form and update whizhouse more. What can I say, I lied. The worst part is I have tabs open of things I want to post, but I hate not getting to write about everything I put up here. 
Until I have more time, here is this weeks playlist, posted over at The Volume.
Download the playlist here. 

Play count 7

Yeah…so a week ago I promised to get back to old form and update whizhouse more. What can I say, I lied. The worst part is I have tabs open of things I want to post, but I hate not getting to write about everything I put up here. 

Until I have more time, here is this weeks playlist, posted over at The Volume.

Download the playlist here. 

[Flash 9 is required to listen to audio.]
69 plays

Track of Day - Sharam ‘She came along’ feat. Kid Cudi


I’ve been gone for a while, my apologies.

Its been a hellish couple weeks, but there have been a few great songs that have helped me grind through the work. With new music recently out from Em, Cudi, Blu, Asher and more it was difficult to pick a track to throw up out of the 20 or so I’ve had on a fairly constant loop the last week +.

It was truly a coin toss between this and Cudi’s latest posse cut ‘Poke her face’ ft the G.O.O.D. music fam, but there is something about the baseline in this track that keeps it stuck in my mind for the entire work day. As more from this artist is released and he begins to build up his press out reach the more anticipation I have for his debut album. Don’t miss out on this one.

Download: She came along (bonus Poke her face)

See previous TOD:

Q-Tip ‘We Fight, We Love’ remix ft. Kanye West and Consequence

Mixtape Street Album of the Week: S.O.U.L. Purpose City Permits
Street ‘album’ may be pushing it a bit as this has a number of interludes from a Mick Boogie interview with Mazzi of S.O.U.L. Purpose, but nonetheless, a number of standout tracks make this an enjoyable listen. Highlights include the classic Statik Selektah produced ‘Talkin’ bout You,’ remixed with a feature from New York Nick along with ‘Keep Movin remix’ featuring a verse from Fresh Daily. The mixtape also has a joint produced for Peter Rosenberg’s Real Late on Hot 97. Presented by Mick Boogie and Terry Urban, who’s stamp of approval is often worth the download alone.
Download here.

Mixtape Street Album of the Week:
S.O.U.L. Purpose City Permits

Street ‘album’ may be pushing it a bit as this has a number of interludes from a Mick Boogie interview with Mazzi of S.O.U.L. Purpose, but nonetheless, a number of standout tracks make this an enjoyable listen. Highlights include the classic Statik Selektah produced ‘Talkin’ bout You,’ remixed with a feature from New York Nick along with ‘Keep Movin remix’ featuring a verse from Fresh Daily. The mixtape also has a joint produced for Peter Rosenberg’s Real Late on Hot 97. Presented by Mick Boogie and Terry Urban, who’s stamp of approval is often worth the download alone.

Download here.

NYTIMES: 50 Cent vs Rick Ross
You can always tell when 50 Cent has a new album in the works, because he ends up in an over-the-top, media-friendly feud with another rapper. Last time it was Kanye West. This time it’s the Florida rapper Rick Ross, who also just happens to have a new album coming soon.The artist Andrew Kuo breaks the disses, accusations and allegiances down.
Love the ‘Jah Rule’ typo. At least this NYTimes article is littered with government names. See more here.

NYTIMES: 50 Cent vs Rick Ross


You can always tell when 50 Cent has a new album in the works, because he ends up in an over-the-top, media-friendly feud with another rapper. Last time it was Kanye West. This time it’s the Florida rapper Rick Ross, who also just happens to have a new album coming soon.The artist Andrew Kuo breaks the disses, accusations and allegiances down.


Love the ‘Jah Rule’ typo. At least this NYTimes article is littered with government names.
See more here.